<?xml version="1.0"?>
<content collectionGUID="B4536CA4-2CAE-4E9C-A030-8E89082F6964">
  <lastEdited clientType="local-build-20120621" date="2012-06-21 17:16:29 +0100"/>
  <textBox id="generic-header-attribute" dynamic="no" visible="yes">
    <richText>Spode Works Closed - British Ceramics Biennial</richText>
  </textBox>
  <textBox id="generic-title-attributes" dynamic="no" visible="yes">
    <richText>Spode Works Closed</richText>
  </textBox>
  <textBox id="generic-datefield-attributes" dynamic="no" visible="yes">
    <richText>18 December 2009</richText>
  </textBox>
  <image id="generic-picture-attributes" dynamic="no" visible="yes" src="18_Spode_Works_Closed_files/shapeimage_1.png" left="0px" top="0px" width="653px" height="311px"/>
  <textBox id="generic-body-attributes" dynamic="no" visible="yes">
    <richText>A manic few months since my last blog - but all is calming now, and its time to catch up and reflect on work, experiences, life etc.&#xD;&#xD;I was shortlisted for the &#x2018;One-off Award&#x2019; at the first &lt;a href="http://www.britishceramicsbiennial.com/stories/1052-award"&gt;British Ceramic Biennial&lt;/a&gt; in Stoke this autumn. The festival and exhibitions have all just finished. I didn&#x2019;t win, but I am pleased that &lt;a href="http://www.galeriebesson.co.uk/brownswordexhib.html"&gt;Neil Brownsword&lt;/a&gt; did. Although our work is very different, he and I mine very similar themes and sources - examining the richness and complexity of our industrial heritage.&#xD;&#xD;I made a specific body of work for the show, &lt;i&gt;Spode Works Closed&lt;/i&gt; using objects salvaged from the abandoned Spode Factory in July 2009. Here are some of the pieces. &#xD;&#xD;This set of five bone china plates, salvaged from the factory floor is decorated with versions of Spode&#x2019;s&lt;i&gt; Italian Blue &lt;/i&gt;filtered through scenes from the derelict factory site.&#xD;&#xD;More work to follow over the coming days....&#xD;</richText>
  </textBox>
</content>
